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Only 7 left in stock more on the way. Aktiv Inaktiv. Das Cookie wird von der Webseite genutzt um herauszufinden, ob Cookies vom Browser des Seitennutzers zugelassen werden. Das Cookie dient dazu hervorgerufenen Umsatz von Direktlinks von anderen Plattformen umsatztechnisch auszuwerten. Zudem tragen sie zur Sicherheit der Seitennutzung bei. Das Cookie wird von Facebook genutzt um den Nutzern von Webseiten, die Dienste von Facebook einbinden, personalisierte Werbeangebote aufgrund des Nutzerverhaltens anzuzeigen.

Google Analytics:. Google Analytics wird zur der Datenverkehranalyse der Webseite eingesetzt. Diese Cookie dient zur Anzeige von personalisierten Produktempfehlungen im Webshop. Die gesammelten Informationen werden zur Seitenanalyse und zur Erstellung von Statistiken verwendet. The first time the modern-day spelling of "boogie-woogie" was used in a title of a published audio recording of music appears to be Pine Top Smith's December recording titled "Pine Top's Boogie Woogie", a song whose lyrics contain dance instructions to "boogie-woogie".

The earliest documented inquiries into the geographical origin of boogie-woogie occurred in the late s when oral histories from the oldest living Americans of both African and European descent revealed a broad consensus that boogie-woogie piano was first played in Texas in the early s.

Additional citations place the origins of boogie-woogie in the Piney Woods of northeast Texas. The first Negroes who played what is called boogie-woogie, or house-rent music, and attracted attention in city slums where other Negroes held jam sessions, were from Texas. And all the Old-time Texans, black or white, are agreed that boogie piano players were first heard in the lumber and turpentine camps, where nobody was at home at all.

The style dates from the early s. This style was often referred to as a 'fast western' or 'fast blues' as differentiated from the 'slow blues' of New Orleans and St. At these gatherings the ragtime and blues boys could easily tell from what section of the country a man came, even going so far as to name the town, by his interpretation of a piece.

According to Tennison, when he interviewed Lee Ree Sullivan in Texarkana in , Sullivan told him that he was familiar with "Fast Western" and "Fast Texas" as terms to refer to boogie-woogie in general, but not to denote the use of any specific bass figure used in boogie-woogie.

Although the "Texas Western" Railroad Company changed its name to "Southern Pacific", Sullivan said the name "Texas Western" stuck among the slaves who constructed the first railway hub in northeast Texas from Swanson's Landing to the city of Marshall. A key to identifying the geographical area in which boogie-woogie originated is understanding the relationship of boogie-woogie music with the steam railroad, both in the sense of how the music might have been influenced by sounds associated with the arrival of steam locomotives as well as the cultural impact the sudden emergence of the railroad might have had.

The railroad did not "arrive" in northeast Texas as an extension of track from existing lines from the north or the east. Beginning with the formation of the Texas Western Railroad Company in Marshall, Texas, through the subsequent establishment in of the Texas and Pacific Railway company, which located its headquarters and shops there, Marshall was the only railroad hub in the Piney Woods of northeast Texas at the time the music developed. The sudden appearance of steam locomotives, and the building of mainline tracks and tap lines to serve logging operations was pivotal to the creation of the music in terms of its sound and rhythm.

It was also crucial to the rapid migration of the musical style from the rural barrel house camps to the cities and towns served by the Texas and Pacific Railway Company. Boogie-woogie forever changed piano playing, as ham-handed black piano players transformed the instrument into a polyrhythmic railroad train.

In the television broadcast of Britain's The South Bank Show about boogie-woogie, music historian Paul Oliver noted: "Now the conductors were used to the logging camp pianists clamoring aboard, telling them a few stories, jumping off the train, getting into another logging camp, and playing again for eight hours, barrel house. In this way the music got around—all through Texas—and eventually, of course, out of Texas.

Now when this new form of piano music came from Texas, it moved out towards Louisiana. It was brought by people like George W. Thomas , an early pianist who was already living in New Orleans by about and writing "New Orleans Hop Scop Blues", which really has some of the characteristics of the music that we came to know as Boogie.

Paul Oliver also wrote that George W. Thomas "composed the theme of the New Orleans Hop Scop Blues — in spite of its title — based on the blues he had heard played by the pianists of East Texas. George Thomas and his brother Hersal Thomas migrated from Texas to Chicago, and brought boogie-woogie with them. Zudem tragen sie zur Sicherheit der Seitennutzung bei. Das Cookie wird von Facebook genutzt um den Nutzern von Webseiten, die Dienste von Facebook einbinden, personalisierte Werbeangebote aufgrund des Nutzerverhaltens anzuzeigen.

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Tout afficher "Various" articles. State street special Email Subscriptions. Datenschutzeinstellungen Nur funktionale Cookies akzeptieren Cookies akzeptieren. For other uses, see Boogie-woogie disambiguation. Just enter the dance floor when it starts. Wikimedia Commons. Oscar plays the boogie This a really first-class anthology of boogie and near-boogie recordings from the late 's to the early fifties.
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8 thoughts on “Boogie Woogie - Various - Lindy Hop Jamboree Part 2 (CD)

  1. View credits, reviews, tracks and shop for the CD release of Boogie Woogie Piano Vol. 2 New York - Chicago - Los Angeles - New Orleans on Discogs.
  2. Boogie Woogie Blues: – Meade Lux Lewis* Lux's Boogie: – Albert Ammons & Pete Johnson: Sixth Avenue Express: – Pete Johnson: Death Ray Boogie: – Meade Lux Lewis* Glendale Glide: – Cow Cow Davenport: Slum Gullion Stomp: – Pinetop Smith* Jump Steady Blues: – Jimmy Yancey: PLK Special: – Cripple 5/5(1).
  3. View credits, reviews, tracks and shop for the CD release of Boogie Woogie on Discogs. Label: Documents - • Format: 10x, CD Compilation Box Set • Country: UK & Europe • Genre: Jazz, Blues • Style: Boogie Woogie5/5(1).
  4. View credits, reviews, tracks and shop for the CD release of Genius Of Boogie Woogie on Discogs. Label: Giants Of Jazz - CD • Format: CD Compilation • Country: Italy • Genre: Jazz, Blues • Style: Boogie Woogie/5(3).
  5. Various: Lindy Hop Jamboree Vol.5 - Groovin' - Let's Lindy Hop To Blow My Top (CD) (BB) 23 tracks () 13 Boogie Woogie: Tommy Dorsey 36 TIM 14 Dig lt!: Les Brown 38 T/M Let's Lindy Hop To Blow My Top (CD)" Write an evaluation. Evaluations will be activated after verification. Please enter the digits and letters in the.
  6. View credits, reviews, tracks and shop for the CD release of Rhythm 'N' Blues - Boogie Woogie Goodies on Discogs. Label: Membran Music Ltd. - • Format: 4x, CD Compilation Box Set • Country: Germany • Genre: Jazz • Style: Rhythm & Blues, Boogie.
  7. Various: Lindy Hop Jamboree Vol.5 - Groovin' - Let's Lindy Hop To Blow My Top (CD) Ella Fitzgerald' 36 TIM 13 Boogie Woogie: Tommy Dorsey 36 TIM 14 Dig lt!: Les Brown 38 T/M 15 The Honeyeripper: Cab Calloway 38 T/M 16 Opus One: The Mills Brothers 38 T/M 17 Let Me Off Uptown: Gene Krupa 38 T/M
  8. Various: Lindy Hop Jamboree Vol.7 - Jumpin' - Come And Get It (CD) Video von Various - Lindy Hop Jamboree Vol.7 - Jumpin' - Come And Get It (CD) Artikeleigenschaften von Various: Lindy Hop Jamboree Vol.7 - Jumpin' - Come And Get It (CD).

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